I got called in at the last minute to solve some rainbow issues on set on an international Netflix production. The Director wanted to create specific slow moving backgrounds using real refractions - when this wasn’t possible my name was floated and next thing I knew I was headed down the M1 with a bag full of prisms.

​

On set I used various methods to create the exact backgrounds the production needed. I’m still under NDA but on this page you will find some of the unused offcuts from that shoot.